It’s done. At last…
I’d have liked an outside shot, in the sunshine, but wouldn’t you know it? We’re grey, dull and overcast. Good job the quilt’s cheerful!
I first saw the original design for this quilt in 2008, when I bought Kaffe Fassett’s book Passionate Patchwork. At that point, my piecing and quilting skills were minimal, to say the least. I’d made exactly two quilts, badly, one by hand, one by machine. But that quilt, that quilt. I kept coming back to it. I had the page bookmarked for years. About 5 years – and several increasingly competent quilts – later, I realised that soon, I’d be up to the job. So I started collecting fabrics. I had a special box into which I stashed fabrics I thought would make good hatboxes. The collection evolved considerably over the years, having started rather traditionally, in the same spirit as the original, chintz-based design. Well, you can see for yourself that didn’t last.
Finally, in 2016, I was ready. To the extent, in fact, that I felt able to make some changes to suit my own ideas. So the blocks are a different size from the original, I’ve assembled them slightly differently, my fabric selections are very different, and I haven’t used the wide sashing, cornerstones and border which are a feature of the original design. This is partly because I wanted to be able to quilt each block individually and because this quilt is smaller, and the wide border and heavier sashing don’t work so well in this context, to my eye.
I liked the slightly mid-century vintage feel of this collection of hatboxes and the fabrics they’re made from. So I decided to hand quilt each one, to give each block the soft and crinkly feel of vintage hand quilting. For extra softness, I backed each block with fine cotton lawn, in a pretty cherry blossom floral, pink blossoms on a grey background. Both front and back feel gorgeous, incredibly snuggly and soft.
I’ve created a sort of ‘hidden label’ on the back; the information is there if you know where to look but it’s disguised behind a piece of the backing fabric, with the details on the inside. I know what it’s all about, I’m keeping it, so the label’s just for tradition’s sake.
Spot the hidden label…
This quilt has seen me through several homes and life stages from first intention to completion. I’ll never part with it, and it was worth every second, minute and hour of the considerable time I’ve taken to finish it. I’d do it all again in a heartbeat, and this time, I’d move a little faster for the sheer pleasure of seeing it finished. So there we are. But in case you were wondering what’s next on the agenda for Bee, Myself and I, my ‘selfish sewing’ project, wonder no longer. The blocks for Parterre will be taking its place.
More months and years of pleasurable stitching ahead!