Gallimaufry, Lines 5 and 6

So, the blocks are done.

I have just managed to squeak all of them out of the dark blues I had, with a bit of creative cutting and splicing. Funny, I thought it was the lights I’d run out of first, but maybe I was a bit generous with all those lovely batik indigos.

This is definitely not the order in which they’ll appear in the quilt, but I’ve kept to the drawing sequence in completing all the blocks so I have the right number of each. Next post will show what I hope is the final arrangement of the whole thing, although as always I’ll tweak as I go along as improvements strike me.

How do you like my caravan appliquĂ©? I couldn’t resist a bit of fun, and I particularly love those bubbly clouds… Miz Lizzie lacks the necessary windowsills so I can’t actually have teapots and flowerpots on display, but they do dress this little window nicely 🙂

Here’s the full set, looking a bit bottom heavy, but that will all change next time.

Bee, Myself and I #2

I finally got to the point where I could start stitching the first couple of hatbox blocks. Only I didn’t leave it at two…

Hatbox collage 1It made a few things clear:

•  I definitely need tear away stabiliser.
•  Starching the fabric for the appliqué pieces helps a lot.
•  I can stop being neurotic about the Y seams at the intersection of         each cubbyhole.

Up to this point, I’ve used fusible web behind each piece when I’ve done machine appliquĂ©. It has the virtue of holding everything firmly in place while I’m stitching, but the disadvantage is that it adds stiffness and a small amount of extra bulk. Also, it makes trimming out the fabric behind it quite hard. Not using the fusible web means that the pieces can shift a fair bit, so I’ve been hand-basting, which seems to do the trick, even if it’s a bit time-consuming. I’m happy with the result. The stabiliser stops puckering at the seam and channelling of the blanket stitch, so things stay nice and flat.

As for the Y seams, well, that whole section gets cut away, so on the first block I evaded the issue by not sewing completely into the corners. Slack, I know, but it worked! And having taken the pressure off myself, the next Y seams were perfect anyway…

The trickiest part is keeping the long thin banana shape of the hatbox rim stable. Hence my extensive use of starch, which seems to do the trick in preventing it warping or stretching and makes the fabric crisper while I’m drawing around the templates.

The blocks don’t actually take that long, but it’s fiddly: Change the thread to white. Assemble the 3 cubbyhole pieces with a Y seam. Change the thread to red. Cut out the 3 hatbox shapes, being sure to align patterns where necessary. Baste, appliquĂ©, baste, appliquĂ©, hand baste, appliquĂ©. Remove basting, tear away stabiliser, trim out excess fabric behind, press.

I love these blocks as a way of showcasing the fabrics I’ve been collecting for this quilt for over 5 years… It’s nice not be cutting them up too much, and as an added bonus, it’s generating some very nice scraps for my postage stamp blocks :-). Oh, and at the rate I’m going, this project will take a lot less than a year!

Don’t forget to hop over to Carla’s blog to see what the others are up to. You can also click on the Bee, Myself and I button in the left hand column to go straight to the bee page.

Only 32 blocks more to go….