Another two rows done.
This particular quilting design does get easier as you go along. You realise that actually it’s not really necessary to mark up this design on your block top. You learn the time intervals at which you move the block from side to side to get the wavy line fairly even. You realise that very dense appliqué or piecing should not be closely quilted or it will stiffen, so you open the lines out in these areas. You learn – quickly – that it’s a really good idea to clip your starting threads (assuming you don’t use leaders and enders, I don’t) because otherwise the sewing machine will pounce on them and chew them enthusiastically at the start of the next line. You get in the habit of placing a pin in the starting edge of the block to indicate whether the wavy lines are horizontal or vertical for this particular piece’s place in the layout, so that the chequerboard effect is consistent and you don’t get three verticals in a row. And you give your walking foot some love. Clean out the matted fluff, wipe off any spray-baste residue, give it a good dusting.
Past the halfway point now, just two more rows to go. Signed, Tealed & Delivered is going to be sashed in teal on the front and cream on the back, just because. All cream is a bit dull to work with. I found some very pretty fabric for the front sashing, and it’ll make a nice change.
A bit of mindless quilting has been just what I need as a break from marketing strategy and copywriting. Sadly, it’s time to get back to all that. I have an entire website to edit and rewrite.
Anyone would think I was getting paid for it…