It’s as I suspected.
I did a test piece and I simply can’t get the needle and thread through the bits where there are three or four layers of fabric, especially when one of those fabrics is a densely-woven batik. Add to that the need to use a layer of waste canvas* and it’s out of the question. So…
I’ve changed things round a bit. The ‘Greetings from Tropical North Queensland’ bit runs diagonally across the back of the postcard and is hand-lettered in indelible ink, as is my name in the address section. I’ve used a font that looks like vintage ‘brush stroke’ lettering, to keep the kitschy-postcard-vibe going. Happy with the result… The front will stay message-free.Here’s the finished block. And now I’ve proved to myself that I can do it, that’ll be quite enough of that! The next one will be considerably simpler and quicker 🙂 I have another postcard block to do, plus the OCA ribbon block, plus the postage stamp block in the centre, and I’m not doing complicated for each one.
On with the next one!
*waste canvas is where you place a layer of canvas or other gridded fabric like Aida on top of the surface you want to embroider, do the embroidery, and then pull the canvas out, thread by thread, leaving just the embroidery and the fabric surface. Again, very fiddly, but it produces an excellent result.
NOTE: The free online photo-editing suite I have been using has now decided it won’t let me save my edited images unless I start paying. I ask you all to be patient while I learn to use the built-in editing options on my MacBook, which are not as versatile, but present a more economic option than paying over $140 a year to make my photos a little prettier!
When the idea of the Sisterhood of the Travelling Sketchbook was first proposed, Viv was one of the first to jump on board with gusto.
Before the Sketchbook reached her, however, we lost her in July 2016. This was a great sadness on two counts; first for those who loved her and miss her still, and secondly because the Sketchbook also needs words as well as the beautiful images which have been contributed. Viv’s great skill was with words, and the lack of her contribution left something of a void.
Viv’s daughter Sally has kindly consented to allow us to feature one of Viv’s poems to amend this lack. The piece which has been selected is called ‘Conjunctions’, and discusses the importance of building and maintaining the connections between us, a sentiment particularly appropriate for the far-flung Sisterhood.
I was asked to letter and insert Viv’s poem. I have done this in a connected way, with each verse linked to the next with paper and thread. I thought about adding some pieces of patchwork, another of Viv’s passions, but ultimately felt that her words were splendid as they stood, and needed no other adornment or distraction. I’m happy with the simplicity of the execution.
You can see my own page about the Sketchbook project by clicking the link at the start of this post. Alternatively, go to the blog created for this project by Sandra, for a different perspective.
So, I give you Viv’s contribution. She’s with us after all…
I am, I confess, very tired.
I pushed myself a thought too hard today, but I wanted so much to get the lettering done, and having finished that, adding the corners seemed like a minor add-on. Only of course, it wasn’t. But it is now done, and the centre is square(ish), ready for ivy wreaths in the 4 corners.
The more I have added, the more the bias edges have mounted up, and I now have some quite noticeable bagging and sagging. However, that will be taken care of in due course. A multitude of sins can be hidden in the lovely puffiness of hand quilting, and indeed, I propose that they should!
I’m pleased with the hand lettering, not too many blobby bits, and all the interminable prep work has paid off. Silver was so much the right choice, rather than gold.
OK, enough typing. I’m off to soak my aching hands in hot water and then smother them in Aspirin & Arnica cream…