Wikipedia: “A parterre is a formal garden constructed on a level substrate, consisting of plant beds, typically in symmetrical patterns, which are separated and connected by paths. The borders of the plant beds may be formed with stone or tightly pruned hedging, and their interiors may be planted with flowers…”
I have been dithering and procrastinating about this one for far too long. So it’s a relief that I finally have the templates drawn and cut for my next Bee, Myself and I project, which will be known as Parterre.
I first had the idea a couple of months ago, in the middle of doing something else. At the time, I could only scribble down a quick sketch and some notes. It’s times like this when I miss the fabulous multi-coloured ballpoint pen I had as a child, with six different inks in it. Does anyone else remember those? But I digress. This has been nagging at my brain for weeks and weeks, like a tiny stone in the shoe, and finally it got too much.
Today, I sat down and made the templates, drawn out first on quilter’s graph paper, then transferred as individual pieces onto plain paper and spray-mounted onto firm card to make templates to draw around, with seam allowance included. Like the previous BM&I project (the Hatbox quilt), it’ll be raw edge appliqué, blanket stitched onto the background and trimmed out behind to reduce bulk. I won’t use fusible or glue, as you can’t then remove the excess fabric at the back. As before, I’ll add a layer of tear-away stabiliser at the back, layer all the pieces, pin and then baste by hand before stitching everything down. Labour intensive yes, but the result is a supple block with a tidy back, and no ugly channelling of the stitching. The blocks will finish at 10 inches square, and I haven’t yet decided how many to make! That decision can wait until I discover how tricky the block is…
I’ve done a pull of fabrics from my stash of FQs and larger scraps. The circular ‘frame’ around each block will be a slate grey chambray-effect glazed cotton. The backgrounds will be cream on cream prints, for visual interest with minimal interference with the prints. I have two reels of half inch jacquard woven ribbons (originally bought for gift wrapping) to form the stem of each flower, and dozens of yoyos left over from The Cloths of Heaven quilt, which will be the centres of the flowers. The leaves and flowers will be in contrasting or even clashing prints. This baby is going to be bright! I’m also considering putting a small button in the centre of each yoyo, and am still debating what colour to use for the blanket stitch; the red worked well on the Hatbox blocks, but I don’t want to cover the same ground. I’m pretty sure I won’t need to buy anything except perhaps backing material when the time comes to start the hand quilting.
I’m hoping I’ll get the first block done in time for Bee, Myself and I at the end of the month.