I must have made, tried and discarded a dozen different templates.
My original plan was to quilt Bonnard with a random scatter of leaves, but no matter what I tried, I just couldn’t find an assortment of leaf shapes I liked, which were the right size and which were simple enough to quilt with my not exactly tiny hand-quilting stitches. My subconscious was at work, I think, or perhaps it was the quilt, trying to gain my attention and tell me what it wanted.
And then I realised that the quilting wasn’t the point of this quilt, it was a supplementary feature, an attractive way of holding the layers together which incidentally added visual richness and texture. And there it was. I’d do a simple all-over repeat. What about a Baptist Fan, one of my favourites? Still not quite right.
I’ve come full circle, I think. I’m quilting clamshells, like my bestest and favouritest quilt of all, the one that lives on my bed. The ones on Bonnard will be larger, at 4 inches across rather than 2½ inches, but I wanted them to fit within the proportions of the squares and blocks I’ve used to make Bonnard. As an incidental bonus, the larger size will mean I get it done more quickly, and the interlocking clamshell shapes mean the stitching all travels in one direction so I won’t be twirling the quilt around. It’ll sit on the table, its own weight providing the tension I need to hold things flat, and I won’t be draped in acres of cosy quilt at this hottest time of year. As an extra benefit, my plain white teacup is exactly the right size to form the template I mark around, plus it won’t bend and deteriorate like a card template.
Win-win all round, I’d say.