I gave myself some time out for fresh air and exercise in the back yard. Frankly, I needed a bit of a breather and time to look at greenery. But I’m back.
I’m quilting WWF without a hoop or frame. It means the stitches aren’t quite as neat or as straight as they would otherwise be, but it also means I don’t have kilos of heavy, hot quilt in my lap during the process, I don’t have to shift said kilos of quilt around as I stitch in the ditch around each red hexie, and I don’t have to shift the frame every two hexies. The quilt sits on the table, slightly bunched up in the area where I’m working, and lies stretched over my lower hand. I have enough slack that I can turn just this working area a little as I stitch round the corners. The rest of the weight is on the table. I can withdraw my lower hand, stand up and walk away.
The pin basting is in the centre of each red hexie, so a hand’s breadth apart. I was concerned I’d be catching the thread on the pins, but so far it’s hardly been a problem. I stitch one side of a hexie to anchor it, then remove the pin and stitch the rest. I’m burying the knots as I go — it’s the only way on this dark quilt, as locating strays at the end would be time consuming and tedious.
I’m not aiming for perfection in the finished result. I’m human, and a defective one at that, and I can forgive myself for slightly wonky, slightly uneven stitching. The hexies themselves are pretty perfect, and if the quilting is less so, well, so be it. I’m not entering this quilt into the Show for competitive reasons, and I don’t expect or hope to win anything, I just want to share the friendship, the collaborative process and the joy that quilting brings me.
Right. Time to stop typing and set a few more stitches. Slow and steady does it.